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Claire Doherty participated in this trailblazer symposium, which invited practitioners, funders and educators to hear findings of the Socially Engaged Arts Practice and New Model Visual Arts Organisations Study, presented by ... read on →
Claire Doherty has made a number of presentations and published a series of articles external to our programme since 2005. You can download a transcript or published text or watch a video presentation here.
Claire Doherty participated in this trailblazer symposium, which invited practitioners, funders and educators to hear findings of the Socially Engaged Arts Practice and New Model Visual Arts Organisations Study, presented by ... read on →
Claire Doherty was invited to give the opening presentation at the annual IHME Contemporary Art Festival in Helsinki, Finland, which focused on a new film produced by SUPERFLEX for the ... read on →
Claire Doherty was invited to speak in conversation with artist Neville Gabie at Demanding Conversations: Socially engaged art practice in a changing political climate, a conference that took place at ... read on →
The Creative Time Summit was a two-day conference that brought more than 40 cultural producers together to discuss how their work engages pressing issues affecting our world. Claire Doherty presented one of the ... read on →
An article that calls for a more diverse public arts sector moving away from the monumental scale and popularised view of public art and proposing new models for rethinking public ... read on →
Commissioned for Open Wide a catalogue documenting Claire Barclay’s work to date. The catalogue accompanied a major exhibition of the artist's work for The Fruitmarket Gallery, Edinburgh. read on →
Commissioned to accompany Lyndal Jones’ survey exhibition Darwin with Tears at the Australian Centre for Contemporary Art, Melbourne. read on →
First delivered as a paper at the symposium Out of the Studio! which discussed art and public space held at the contemporary art centre Z33 in Hassel, Belgium from 26-28 ... read on →
Commissioned as part of Curating Subjects, an anthology of new curatorial writing that documents the inter-dependent relationships between the curatorial past, present, and speculative futures, this is the first of ... read on →
A critical essay that contributes to the first comprehensive overview of Paul Rooney’s practice, Got up late the other day surveys 22 works the artist made between 1998-2005. read on →
Protections Reader was published on occasion of the exhibition Protections: This is not an Exhibition, offering a consideration of the exhibition as situation within the context of the discourse of ... read on →
An article that responds to biennales from Sydney to Istanbul, Venice to Liverpool and looks at their influence on the way we think about cities. read on →
An article exploring the discourse of new institutionalism, a buzzword during the last six years, the movement has been associated with institutional transformation based on principles of participation. read on →
Supermanual: a user’s guide was published on occasion of SUPERFLEX’s second Superchannel, which took place in a tower block in Liverpool. Superchannel is a network of local studios used by ... read on →